Interviews

The Buzz on Bees Episode 4: Interview with Jan Smit

by Julie Tennis on July 18, 2013

While traveling in Holland last month I had the good fortune to visit fellow bee enthusiast, Jan Smit.  Jan, a co-author on the Netherland’s definitive guide to native bees, De Nederlandse Bijen, refers to himself as a hobbyist.  After spending some time talking with him about his work with bees and touring his collection, I would have to disagree.  Jan is clearly a professional-level bee researcher.

Sitting in his living room on an overcast afternoon, I asked Jan how he got his start working with bees:

I was in college to become a teacher when I heard of the Dutch Natural History Society.  I became a member and you could take a course to become a beekeeper.  I started with two boxes of bees but then we moved to a community where beekeeping was forbidden – there were greenhouses growing cucumbers and they didn’t want honeybees in there.  So I had them miles away and I didn’t like that so I stopped.  And now-a-days I’m not so fond of honeybees.

In the beginning of the 1980’s the Dutch Natural History Society wanted a course on insects and got someone to give the course over 10 evenings – The World of Insects.  We also went into the field.  I liked insects and started with walking beetles.  In 1984 I went to a camp for people who teach, to take natural history courses.  The guy who did hydrobiology got ill and didn’t come.  I knew the concepts and was asked to teach the course after the first two weeks.  (I taught nature and environmental education during the school year.)  The following year I wasn’t planning to go, but two weeks before camp I was invited to teach hydrobiology again because there were so many students.

That year there was a man (Jan Wartena) giving a course on the relationship between plants and insects.  The following year he said he wanted to stop teaching in the camp.  They looked to me and asked me to teach it.  The next year I worked with the man to teach the course.  We utilized people’s gardens and other places for the extensive field portions.  The man gave the first course and then left and I taught the second and third courses.    When teaching this relationship between plants and insects, you quickly come to bees.  That’s how I got started with bees. I did that course during ten years.

Jan’s interest in bees continued to grow.  By 1986 he was really serious about studying bees, going out in the field and conducting surveys and collecting bees.  He said:

“You have some bees, then how do you find out what species you have?  There were no keys.  Someone gave me the tip: there’s an old monk (Virgilius Lefeber) in the south of Holland, in Maastricht, and he works on bees and wasps.  So I wrote him that I have some bees that I cannot identify and there appeared to be a few very simple keys in Dutch and he sent me them – just copy them and send me them back, he wrote.  I was astonished.  People just send you their material and you can copy it and send it back!  Then we were on vacation in the south of Holland and I made an appointment with him and went with him into the field.  And he became one of my best bee friends.  He unfortunately died a couple of years ago, he was 74.  But he taught me how to search for bees and wasps in the field, all kinds of tricks, and we have been very often in the field together.  He was my teacher.  At least, my teacher in Holland. 

By the end of the 1990’s Jan was traveling abroad to collect and study bees from other parts of Europe and the world.  He invited me to view his collection.  We ascended a spiral staircase (typical of Dutch homes) and walked to the end of the hall.  Jan opened a door to a brightly lit room with a slight chemical aroma.  He said, This is my working room and this is the literature that I have on bees and wasps.  I looked around.  Two windows overlooked the backyard garden.  Below the windows was a desk with several microscopes and a computer.  The wall behind the desk had a bookcase full of books and periodicals.  The rest of the room was filled with specimen drawers.

Jan headed between two tall cabinets of specimens and continued, There’s about 65 thousand specimens, I have more than 2200 species.  There are many species that you cannot identify in the field and then you have to take them home and look at them under the microscope.  This is my favorite group, and you see this is a very common species in Holland.  They are Nomadas.  (There were many drawers of Nomadas.)

Jan is a member of the Dutch Entomological Society.  In 1995, they formed a hymenoptera section.  There are about 75 members in this section, and about 30-40 of them actively study bees.  Twenty-seven of those worked on De Nederlandse Bijen.  Jan handed me a copy of the book to leaf through.  It was very comprehensive and beautifully illustrated.  If it was in English, I would buy myself a copy simply for the enjoyment of reading about the bees and for the amazing photographs.  The group began working on this volume in 2003, and sent it off to press last December (2012).  Jan said it took that long because the writing has to happen on free time, after work.  And in the summer we were out collecting.

The sun came out and I was anxious to see some live bees.

Jan and his wife have landscaped their yard to meet the needs of wildlife while also providing a beautiful sanctuary for themselves.  High vegetated fences give them privacy from their neighbors.  Flowers that are rich in pollen and nectar provide food for bees and other pollinators.  A small pond provides water.  And a variety of nesting areas provide habitat for the next generation as well a place for adult bees to hide from the weather.

After several unsuccessful attempts to capture images of bees on the flowers, I gravitated to a pole with two active nest boxes.  These boxes were filled with wooden tubes of all different diameters.  Several were already capped, filled with eggs from spring bees or last year’s summer bees getting ready to make their appearance.  Several small metallic black insects were on the boxes; Jan informed me they were wasps.  Jan told me I’d arrived in the Netherlands between seasons.  The spring bees had come and gone, and the summer bees were not out yet.  He didn’t think I would get to see many bees, but in the short time we spent in his garden I got to see several:  Bombus practorum, Bombus lapidarius, Bombus pascuorum, a Lasioglossum, a Chelostoma (the first one Jan had seen in his garden), a Hylaeus, and an Osmia rufa.

When I left the United States to visit the Netherlands, I didn’t expect there to be many bees.  The country has been lived in and on for hundreds of years, there are no places left untouched by the hand of man, and there are about 17 million people living in an area about twice the size of New Jersey.  Yet Holland seemed abundant with native bees.  I asked Jan how so many species of bees have managed to survive.  He replied:

Many of them have not survived.  There are 358 species of bees, one of them is the honeybee, but we have a number of species that have vanished, that are gone.  But there are also new ones because of the change in the climate.  It is warmer so more southern species have been coming north. 

In fact the farmers did a lot of good work from the 1800’s to about 1950 because they had meadows full of flowers.  Today all the flowers are gone – they’ve destroyed them with herbicides.  In the early days there were hardly any herbicides.  Holland is very developed but there were many small patches of land that were undeveloped.  But in the 1950’s and 1960’s they changed lands to make it more comfortable for the farmer to make his acreage larger and in that new system many of the wild small parcels are gone and that’s been very bad for bees.  Many bee species are in decline, the ones who depend on these kinds of land.  The ones who live along the sea are okay.

It is clear that use of chemicals, such as herbicides and pesticides, and habitat destruction are world-wide problems for bees.  I’m grateful that there are people like Jan Smit who are helping the rest of us understand what is at stake if we don’t change our ways.

Les Crowder is a top-bar beekeeper, co-owner of For the Love of Bees, Les Crowder inspects a frame of honeyand co-author of Top Bar Beekeeping:  Organic Practices for Honeybee Health (due to be released at the end of August, 2012).  In this interview you’ll get an inside look at the life experiences that led Les to switch from Langstroth to top bar bee hives, how wax moths can be beneficial to honeybee colonies, the pros and cons of top bar beekeeping, and how Les single-handedly chased a bear off his apiary.

Be sure to check out Les’ new book, where he shares more stories about his life as a beekeeper and tells you everything you need to know to get started with top bar bee hives!

Hello and welcome to the “Buzz on Bees,” BeeMentor.com’s monthly interview series. This month’s guest is Christine Farmer: artist, photographer, and friend to bees.

Christine has an amazing website that includes a segment about her adventures with leafcutter and other native bees. Her eye for detail and appreciation for the beauty of these animals is evidenced in her photography, illustrations and writings about the bees who use her garden. I was enchanted when I discovered her blog and delighted that she was able to take the time to share a bit of her story with us today.

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How long have you been an artist? What attracts you to draw what you see and imagine?

I’ve drawn on and off since I was small, and I worked a lot on my drawings in my twenties. But I took a detour into Ancient History and it’s only been the past five or six years that I’ve come back to drawing, especially since I had my garden studio built. I particularly like working in ink, and seem to tend towards a lot of detail especially of small subjects, and I think this leads me to my subject matter.

I love collecting things on walks, or from the garden, especially things with a lot of texture such as autumn leaves, pine cones, shells, stones, dried flower heads. I have boxes and drawers full of the things I’ve collected to study. I press flowers and leaves and I’m also planting a bottle garden with small ferns and mosses. But not everything takes well to being collected, and is better drawn in the wild and “preserved” that way.

Bees are a challenge for me because dead ones in a drawer aren’t very stimulating subjects, and live ones don’t sit still on a drawing table! So I have taken to photography to capture their detail, and I’ve been combining the information from the photographs with sketches of them in action to produce the bee drawings. I’ve been working on the bee illustrations for some time now with a view to putting them in a book.

Your “About Me” page mentions that you studied ancient history and archaeology, focusing on human uses of caves. What attracted you to study ancient history? In your research about cave use did you ever come across cave images of bees?

I first travelled to Crete as part of a schools cruise and fell in love with the place and its history, particularly the Bronze Age culture. The interest in caves really came about from an interest in landscape and sites of human activity. Caves have a special attraction since they were re-used over hundreds of years for shelter, often by shepherds and sometimes for keeping bees. Later their functions changed and people used them for burials and ritual purposes.  But the cave use I studied was mostly of Bronze Age date, which is much more recent than the era of most cave painting in Europe.

I can see parallels in my cave research and my interest in the bee houses which the bees clear out every year and re-use as nesting sites. I often think the bee houses look like cliff-faces filled with the openings of caves.

The Greeks have quite a few myths about bees, and some depictions of Minoan goddesses have them resembling insects, with pinched-in waists and bee-like arms. There is also the famous Malia pendant which depicts two bees facing each other, and is a fabulous and detailed piece of workmanship in gold.

How did you become interested in bees? What was your first experience with them?

I think I’ve been interested in bees since my earliest awareness of them crawling over the clover in my parents’ lawn. I think they are creatures which inspire curiosity, since they are so busy and intent on their task in the flowers; they come and go and it’s natural for us to wonder where they’re going, what homes do they build and how long do they live? When I was able to plant my own small garden I did it with the intention of attracting plenty of wildlife and set up some bee homes quite early on. Having them nesting and feeding in the garden is really satisfying, and I had my studio built there so I could study the activities of its inhabitants at close quarters.

How have you learned about the bees? Is there a particular person, people, or resources that have helped you in your learning?

Most of what I know about the bees I have learnt by observing them in my garden, by trial and error in providing habitats, and through drawing and photographing them which forced me to learn about their forms, movements and habits.

I love reading older books on bees, especially those by J H Fabre, and Edward Saunders. Not only are they filled with a great deal of information, but the descriptions are very poetic and evocative. I prefer books written in a time when people were full of wonder and appreciation of the world. Particular questions of how and why may remain unanswered, but I think the important thing is to keep asking the questions, to keep wondering, to keep that awe and fascination for natural things.

Your renderings of the bees are lovely – how long does it take you to complete a drawing?

My larger drawings can take several weeks or months to complete, but a drawing of a bee will be comparatively a lot quicker; but even so may take up to a week if I get very involved with the subject. I will sketch an impression of a bee in the garden in a few moments, but once I’m at the drawing table with a photograph or specimen I’ll have the magnifier out and be merrily inking in hairs and taking days in the process.

I worked for a long time with technical pens, which allow a lot of very fine detail, but more recently I’ve found I love using dip pens and especially the Gillott nibs which are great for small marks and allow much more expressive lines. The other technique I have been working with more and more is using very fine brushes with an ink wash. I add layer on layer of transparent ink with the brush which allows me to record my beloved fine detail. I really like this method for drawing leaves, and I’m enjoying exploring leaf shapes and textures alongside the bee drawings. In the book I’ll be using all these ink techniques to illustrate the bees’ activities through the year.

What is your favorite kind of bee and why is it your favorite?

I love the leafcutters, which were the first bees to really adopt the bee houses and make their homes in my garden. They are great bees to watch because they are quite placid and patient, and don’t attack or sting, but put up with a lot from me and my intrusive lens. It’s possible to get right up close and see them constructing their nests from cut leaves, and if you follow them by sight you can find where they are harvesting the material and hopefully see them cutting the leaf discs in front of you, which is a magical sight.

The first time I saw a leafcutter cutting a rose leaf felt almost surreal. The bees are so precise in cutting the leaves with their jaw, dexterously curling the cut piece in their legs, and then taking flight just as the final snips are made.

The leafcutters are solitary, rather than social bees, which also probably appeals to me. They are industrious, creative. But perhaps the thing I almost envy them for is the way they know what they are doing with their lives, and are so adept at doing it! They know what kind of leaf they need for a particular task and cut exactly the right amount of material, fly home and use it expertly, chewing and pushing the leaves into position to make cells in which to lay their eggs. They labour on for hour after hour, producing something beautiful and completely useful for purpose. In short, I’m full of admiration for the leafcutters!

You talk about bee nest blocks on your website – could you tell us more about your experiences with them?

I’ve been providing boxes and homes for the bees for several years now. At first I put up a home of cardboard tubes from the Oxford Bee Company, and after an initial year when there was some mason bee activity there was no nesting at all, and I almost gave up hope that anything would use the tubes. However, it seems that the bees prefer them to be a little old and weathered, and also in a secure place rather than the rickety fence I’d initially attached them to. I have found that while slightly smaller solitary bees love the cardboard tubes, my leafcutters tend to prefer to nest in bamboo stems which are a bit roomier. Last Spring I also began drilling holes into the ends of logs, and many of these were colonised by the leafcutters over the course of the summer, so I’m keeping my fingers crossed to see how many hatch out this year. It seems that of all the nest sites I’ve provided so far, the drilled logs have been the favourites for the leafcutters.

I think the best thing is to provide a variety of possible homes and see what the bees in your locality take to. Solitary bees can nest in all sorts of nooks and crannies even if you don’t provide them with special homes. I have had people come to my website with queries about leafcutter nests in flowerpots and garden umbrellas amongst other places. But providing them with ready-made tubes and holes certainly helps the numbers.

What are your favorite plants for attracting these pollinators?

I like to grow herbs and cottage garden plants, and some plants that may be considered ‘weeds’. My favourite is probably the dead nettle; the hairy footed flower bee and many bumble bees seem to love this plant which has a long flowering season. I also like borage, which the leaf-cutters feed on, comfrey, rosemary, thyme and forget-me-not for the tiny bees, foxglove, feverfew, salvia, and various alliums including chives which attract a lot of red-tailed bumbles. The leafcutters also like the roses for their nests of course, but they do use other kinds of leaves and even flower petals to suit their purpose.

What kind of camera did you use to capture the lovely close-up images of the leafcutters on your website?

The leafcutter photographs were taken using a Canon EOS 5D, with an EF 100mm f/2.8 Macro lens.

Learning how to photograph the bees was a challenge in itself. The leafcutters don’t mind a rather large lens right up close while they’re working, but other bees are much shyer and of course quick in movement. They’ll choose to feed on the other side of a flower just to keep out of shot! The main thing is to predict what the bee will be doing next, so it helps to learn which plants a particular bee is likely to move on to next, and they all have their favourites. So photographing the bees helped me to learn a lot about their habits, work and preferences for different plants and materials.

Looking through a macro lens also means I can see the bees and what they’re doing right up close, like watching their lives through a magnifier. Individual bees begin to stand out because you can see little nicks in their wings or other features, and you can follow the same bee and see them in different parts of the garden. I get quite attached to individual bees as I follow them about their day!

You mention working on a book about bees on your website. When do you anticipate your book will be published? Where will we be able to purchase it?

The book will be about my experiences with encouraging leafcutter bees in the garden. I want to show people what they can expect to see if they provide a good habitat for the bees, and describe the life cycle and work of these fascinating creatures.

The book is still in its early stages, but as soon as I have details of how to order I will put the information on my website. I would love to hear from people who would be interested in the book, as this will help me in deciding which route to go for publication.

What is the best way for my readers to get in touch with you?

People can get in touch with me via email, from the contact page of my website.

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Thank you Christine for sharing more about yourself with us! I look forward to reading more of your adventures with the leafcutter bees!

Folks, if you haven’t been to Christine Farmer’s website yet you’ve got to check it out! Keep an eye out for information on her upcoming book and take a look at her other projects while you’re there.

The Buzz on Bees Episode 1: Interview with Athena Rayne Anderson

November 7, 2011

Athena Rayne Anderson is the author of Pollinators.info, a great resource for learning about pollinators of all types.  She is currently working on her dissertation on the foraging ecology of bumblebees in Athens, Georgia.  In today’s interview you get an inside peek into the life of a doctoral candidate doing field research.  Athena also discusses […]

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